Sunday, January 12

Kelsea + Kahan: GRAMMY Nominees for Wildly Vulnerable “Cowboys Cry Too”

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()– Four- GRAMMY nominee Kelsea Ballerini can now it five. Receiving her first “ / ” nomination for “ Cry Too” with -time -selling / Noah Kahan. pair' inherent and willingness to people's most emotions connected with the GRAMMY in palpable way.

Having come together with a “Stick ” mash-up performance at the Academy of Country , Kahan and Ballerini recognized each other's about the faltering places most of us – and decided to collaborate further. That sees the 2024 “Best ” GRAMMY nominee coming into the emerging country music superstar's world to co-write a that for , and .

' just so proud of the of this song, and the it celebrates and stands for,” Ballerini says of the that debuted at 27 's Country Airplay chart, was most added its first week, as well as amassing 12 million streams. “I believe a lot of people wish they could their , admit when they're hurt or scared — and not like a for owning very human emotions.

“When Alysa (Vanderheym) and I were this last fall, there was a feeling of celebrating the scope of feelings. Noah adding his and lyricism made it a different level, and I'm so grateful he added his and made this song what it is.”

The Times offered, “With string- fiddle and mandolin amid an -country , Ballerini and Kahan praise vulnerability as a different of toughness, one that's not encouraged by or ,” People raved, “the bare it , talking suppression and stoic fathers, noting it's to pour one out from time to time – 'cause cowboys cry too',” and Songwriter praised the “beautifully crafted country song that all the , from the fiddle to ;” AS also cited the duet's , “While this song could have worked with just Ballerini, Kahan's verses punch it up and give it a new of . This expands the song beyond a mindset, making it universally understood.”

Kahan embraced the process, saying, “It's the writers who are willing to go to the awkward places that inspire me. Kelsea is one of those, and I knew if could find something we both believed to , it would expand how we look at the way we , what decides and we should . ‘Cowboys Cry Too' is everything I believed our collaboration could be.”

With Kahan's vocal produced by Gabe Simon, Billboard notes that in spite of earlier collabs with and others, the , which John Osborne on , “(Kahan} has never sounded as picking up the cowboy as he does here.”

Both artists are TIME Magazine's TIME100 Next and Live ,

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