Increasing from the Bristol post-punk scene with 2017’s BrutalismIdles temporarily looked like route-one firebrands, handling hazardous masculinity, a collapsing NHS and the gamed class system over chippy beats and jawbreaker riffs.
If no one anticipated the expanded horizons of 2021’s Spider — a 4th album that saw frontman Joe Talbot stop rabble-rousing to really sing, while the band pinballed in between glam, soul and brooding electronica– then this year’s Tangk is an even bolder leap, putting acres of range in between Idles and their noisenik roots.
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